Detail of the Garifuna Kiosk Network. Image Courtesy of 24 Grados Arquitectura
How can architecture restore relevance to forgotten places? What dialogues can emerge when buildings and landscapes are treated not as blank slates, but as layers of memory, identity, and potential? For the Honduran architecture firm 24 Grados, these questions shape an approach rooted in adaptation, reuse, and contextual design. Their projects range from the restoration of old Spanish plazas and cultural centers to interventions in natural parks and coastal villages in Honduras. Each one is grounded in the belief that design can reweave relationships between people, place, and heritage.
Officially open since April 13 as part of Expo 2025 Osaka, the German Pavilion, designed by LAVA Architects. brings to life the theme of the circular economy. Previously unveiled under the title "Wa! Doitsu" (translated as "Wow! Germany"), the Pavilion explores concepts around circularity, showcasing the "terminological culmination of the sustainability discussion." Focusing on returning all consumable goods to the cycle of the economy, achieving zero waste, and minimizing resource consumption, the theme is visible throughout the entire design.
Hungarian Architecture Center and Museum Design. Image Courtesy of BIVAK Studio
The Hungarian Architecture Center and Museum, designed by BIVAK Studio in collaboration with Tér és Forma Szeged Építéstervező Ltd., has received its building permit, paving the way for construction to begin. Located at the corner of Városligeti Fasor and Bajza Street in Budapest, Hungary, the project aims to establish a cultural and professional hub within an urban context. The proposal was selected as the winning entry in an international two-round open design competition, organized by the Hungarian Academy of Arts, held in December 2023.
In a context where sustainability and material identity are becoming priorities in architecture, some ancient materials are finding new life. Terrazzo, with origins dating back to the 15th century, stands out as an example of how tradition can fuel innovation. The modern form, as we know it today, emerged in 15th-century Venice, Italy, when Venetian mosaic workers, seeking to make use of marble scraps, began incorporating these irregular fragments into mortar to create durable and visually appealing surfaces for terraces around their homes. This approach not only minimized raw material waste but also led to the development of new surface-finishing techniques, evolving from manual stone rubbing to the use of a heavy, long-handled grinding stone known as a galera.
The OBEL Award is an international prize for architectural practice, presented annually by the Henrik Frode Obel Foundation. The jury, composed of representatives from firms such as Snøhetta and MVRDV, alongside professionals from other disciplines, selects a theme to guide the choice of winners for each edition. The goal is to steer proposals toward solutions that foster dialogue and generate knowledge on emerging issues, aiming to promote architecture in service of social and ecological development worldwide. For its seventh edition, the 2025 call focus is Ready Made, targeting projects that place reuse and repurposing at the core of architecture for the common good.
HouseEurope! is the European Citizens' Initiative advocating for EU legislation to simplify, reduce the cost of, and make more socially equitable the renovation and reuse of existing buildings, has officially begun its signature gathering period. The initiative aims to curb demolition driven by speculation and foster a construction industry that prioritizes the potential of existing public and private buildings. As a tool of direct democracy, European Citizens' Initiatives allow citizens to propose legislation at the EU level. For the legislation to be officially considered and implemented by the European Commission and EU member states, it requires the support of 1 million European citizens from at least seven EU countries. The initiative opened for signatures on February 1st, 2025 and will remain open until January 31st, 2026.
From the field of architecture and construction, the concept of material reuse is closely tied to circular economy and the reduction of carbon footprints, paving the way toward a more sustainable and responsible future. By incorporating recycling practices, recovery, restoration, and/or the reuse of demolition materials, resource efficiency along with the reduction of energy consumption makes it feasible to experiment with techniques, applications, and new materials that honor the memory of spaces while also bringing new life to both interiors and exteriors.
Why demolish when you can embellish? A collaboration between ArchDaily and ICEX highlights the most outstanding remodeling, reuse, extension and renovation works recently built in Spain. This competition focuses on how Spanish architecture values the revitalization of historic buildings and centers, and recovers existing structures promoting a more balanced urban development. In Spain, old casonas become boutique gems, and factories like Madrid's Matadero morph into cultural havens—a clever mix of tradition and modern flair. After all, good design isn't built—it's built upon.
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Architectural grafting, a concept recently popularized by Jeanne Gang inThe Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.
Tallinn Architecture Biennale 2024 has officially opened to the public. Hosted at the Museum of Estonian Architecture and across multiple venues in the center of the city, the event is centered around the theme "Resources For a Future." The head curator Anhelina L. Starkova along with co-curators Daniel A. Walser and Jaan Kuusemets hope to open up conversations about emerging approaches to designing and building architecture, including the potential of reused and repurposed materials. The event is held between October and November 2024, with free participation.
Danish architecture firm Cobe has announced a new project to transform the historic 'Krulli' steelworks, a large-scale former industrial site in Estonia's capital, into a mixed-use city district. The strategy for the project is developed to optimize for material reuse, as materials, components and even entire buildings have been evaluated for their potential to be reintegrated into the scheme. This way, the decommissioned industrial area provides the foundation for an innovation hub, maintaining its history while adapting to the necessities of modern workspaces and city life.
The first Olympic village was built for the 1924 Summer Games in Paris. Before this, athletes stayed in hotels, hostels, schools, headquarters, and even on the ships that brought them to the host cities. Pierre de Coubertin, co-founder of the International Olympic Committee (IOC), proposed the idea of an Olympic village. He realized it would be more cost-effective to house athletes in temporary structures rather than hotels. He believed the village would also create a sense of community among the international competitors.
The landmark of Piraeus, located in the heart of the largest passenger port in Europe, began construction in 1972 but remained unfinished and vacant for decades. Finally completed in 2023, after an international competition, it now stands as Greece's first green and digital skyscraper. The architectural firm PILA took on the design of the facades, while the office ASPA-KST designed the commercial spaces, and the new general architectural study was entrusted to Betaplan. After over four years of renovation, Piraeus Tower officially opened its doors to tenants and visitors on June 4th with a night of celebrations, establishing itself as a bustling hub and injecting vitality into the area.
RUÍNA Arquitetura aims for greater socio-environmental awareness and the appreciation of materials while advocating for reuse as an alternative within the construction industry. In their practice, they explore new avenues for reclaimed materials, diminishing demolition waste and supplying construction materials with a reduced environmental footprint. In 2024, they were selected as part of ArchDaily’s 2024 Best New Practice for their unique attention to context, aiming to minimize its impact on the built environment through the effective reuse of materials and construction waste. Their participation in the 2023 Sharjah Architecture Triennale exemplifies how local ideas can achieve global recognition.
Noemí Blager and Tapio Snellman are presenting a new video installation at the Architectural Association (AA) in London. The exhibition titled “A Lot with Little” set out to explore and showcase how architects can employ a more economical use of resources to create architectural works that are both sensible and sustainable. Previously shown in Germany, Switzerland, China, Czechia, the US, and the Venice Architecture Biennale, this London debut aims to highlight the global relevance of resource-efficient architectural practices. The exhibition is now on view at the AA School in London from April 26, until May 30, 2024.
