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Philadelphia Museum of Art

Philadelphia Museum of Art

Museums, Historical Sites, and Zoos

Philadelphia, PA 27,798 followers

About us

We're Philadelphia's art museum, a landmark building, a world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study or creative play—to discover the creative spirit that lies within each of us. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. Our values define who we are. They drive the way we do things and the decisions we make. We are open – we welcome everyone, opening eyes and minds to the expressive power of the arts. We are connected – we sustain and strengthen the communities we serve, bringing together diverse audiences. We are vital – we bring the arts to life, engaging visitors from Philadelphia and around the world. We are provocative – we believe that the arts can change the way we understand ourselves and how we see the world. We expect every employee, department, and division to work collaboratively with all others, inspired by a shared purpose. We respect each other as individuals and colleagues. We encourage innovation and support one another’s efforts, recognizing that innovation involves risk. We are an equal opportunity employer that actively seeks to employ a diverse group of people who embody our values. Our employees are at the center of the Museum. We want to ensure they are engaged in their work and rewarded for a job well done. We offer generous benefits and compensation such as: • Extensive paid time off • Retirement savings program with Museum match • Excellent health, dental, and vision benefits at low cost to employees • Fully paid life and disability insurance • Museum Perks

Industry
Museums, Historical Sites, and Zoos
Company size
201-500 employees
Headquarters
Philadelphia, PA
Type
Nonprofit

Locations

Employees at Philadelphia Museum of Art

Updates

  • “The exhibition focuses on the art and design of the 1940s, not the political events of the period,” says the exhibition curator Jessica Smith, reflecting on how viewers today may experience the show. “A key takeaway that might resonate is the resourcefulness and determination of artists and designers to move forward with their work despite adversity.” Boom: Art and Design in the 1940s opens on April 12. Tickets on sale now. Read more about the exhibition from The Art Newspaper: https://bit.ly/42vMnhx

  • Join us this Saturday for a closer look at the extraordinary life and legacy of Luisa Roldán (1652–1706). Art historian Cathy Hall-van den Elsen will share new insights into Roldán’s career and the growing recognition of her work as one of Spain’s most important early modern sculptors. 📅 Saturday, March 29 | 2:00–3:00 p.m. ET 📍 In person + live on Zoom 🔗 Register: https://bit.ly/4hag5i9 This hybrid program will include a Q&A and will be recorded for all virtual registrants. "Virgin and Child", c.1690-1706, by Luisa Roldán

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  • Calling all Phillies fan! We’re gearing up to celebrate our hometown team with an opening weekend special: wear your Phillies gear to the museum and receive $5 off admission when you purchase your tickets on-site. Plus, at our museum café we’re featuring a host of ballpark favorites. This offer is valid March 27 through March 31, 2025, and cannot be combined with additional discount offers. 🖼️ "Sporting Life," 1915, Guy Pène du Bois

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  • 🩰 Live at the Philadelphia Museum of Art 📅 April 18 & 19 | Multiple performances Join us for a special weekend of movement and music as Philadelphia Ballet presents Works in Progress, a series of live excerpts from three world premiere ballets by choreographers Russell Ducker, Zecheng Liang, and Charles Askegard. Presented in connection with our upcoming exhibition "Boom: Art & Design in the 1940s," these new works draw inspiration from the music, lifestyle, and energy of the postwar era; blending classical technique with a contemporary sensibility. ✨ Friday only: Stick around after the performance for a conversation with the choreographers, moderated by Elisabeth Agro, the Nancy M. McNeil Curator of Modern and Contemporary Craft and Decorative Arts. These preview performances offer a glimpse into pieces that will fully premiere at Philadelphia Ballet’s 6th Annual Spring Festival at Red Rose Farm later this spring. Don’t miss this unique collaboration between two of Philadelphia’s leading cultural institutions. Free with museum admission. Learn more: https://bit.ly/4iFMpKy Image: Jacqueline Callahan and Artists of Philadelphia Ballet | Photo by Arian Molina Soca

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  • Ai Weiwei calls this his favorite artwork. Come see why. "The beauty of it is that everyone who looks at it will see something different because it’s transparent. It took him about eight years to make. And then the glass cracked. People said, ‘Oh my God, it’s cracked!’ But he loved the cracks." – Ai Weiwei, via The New York Times Marcel Duchamp’s The Large Glass (1915–23) is a piece of transparency, chance, and mystery. Even its cracks became part of the art. For Ai Weiwei, that’s exactly what makes it beautiful. 📍 On view in Gallery 282 🔗 Learn more: https://bit.ly/4i9xUOQ "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)," 1915-1923, Marcel Duchamp (American (born France), 1887–1968)© Artists Rights Society (ARS), New York / ADAGP, Paris / Association Marcel Duchamp

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  • "From the Art Museum, I spoke with Jennifer Thompson, curator of European art, who said she wasn’t aware that Le Bon Bock — a “crowd favorite” at the museum — was used by 2SP until I reached out. “We have fun with him for the same reason, that it makes people laugh and then it reminds people that the work is in our collection and you can come and see it every day,” Thompson said." Read more about 2SP Brewing and thier new Public Domain Series, which features artworks with Philadelphia-area ties that fall within the public domain: https://bit.ly/3R2JVJN

  • Piet Mondrian proved that straight lines and primary colors could change the world; one square at a time. 🟥🟦🟨 Born on this day in 1872, his iconic grids turned simplicity into a movement, bringing harmony and order to art and beyond. 🖼️ "Opposition of Lines, Red and Yellow," 1937, Piet Mondrian 📍 Visit this work in Gallery 288, Modern and Contemporary Art, second floor

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  • Closing soon: What Times Are These? 📆 On View through March 16 📍 Gallery 276 Inspired by the poetry of Paul Celan, this exhibition brings together works that probe our nation's histories and complexities without taking sides—inviting you to find your own meaning in the quiet spaces. Want to dive deeper? Watch the recent Arnold Newman Lecture with artist Dawoud Bey and curator Amanda Bock as they discuss Bey’s powerful landscape photography, featured in "What Times Are These?" Watch the full conversation: https://lnkd.in/eYcf6gZf 🖼️ "Untitled #2 (Trees and Farmhouse)," 2017 (negative); 2019 (print), Dawoud Bey

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  • Tickets on Sale - "Boom: Art and Design in the 1940s" 📆 Opening April 12 through September 1 📍 Dorrance Galleries Throughout this tumultuous period, artists brought new ideas to their work across media, from fashion and textiles, craft and design, to printmaking, drawing, photography, painting, and sculpture. Boom: Art and Design in the 1940s will be a testament to the creative spirit that flourished despite the restrictions and adversity of the era. This exhibition will showcase art from across the decade, featuring works drawn entirely from the museum’s permanent collections. 🔗 Get your tickets now: https://bit.ly/3XklKKj

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